Search results for " critical edition"
showing 10 items of 11 documents
Why are there no comprehensively digital scholarly editions of classical texts?
2018
Currently, no 'canonical' classical text with a multi-testimonial tradition has a digital scholarly edition based on a complete digital transcription of all primary sources, and on the automated collation of those transcriptions. Most classicists simply do not feel that they need such editions. I argue that this is ultimately due to the 'canonization' of the corpus of classical texts. Classicists are more focussed on the 'Text' than on the documents (manuscripts) and their texts: they tend not to consider the textual variance in the manuscripts as culturally meaningful in itself, but merely instrumental in view of the constitutio textus. I suspect that we will not have 'comprehensively digi…
Per una nuova edizione critica di Curzio Rufo (2)
2009
Joan Roís de Corella, Lamentació de Mirra, de Narciso, de Píramus i Tisbe: edizione critica
2016
Il contributo, che è un’anticipazione parziale dell’edizione critica integrale delle narrazioni mitologiche di Joan Roís de Corella (XV sec.) per Barcino (ENC), nasce dall’esigenza di rivedere la situazione testuale della faula in oggetto (Lamentació de Mirra, de Narciso, de Píramus i Tisbe) e di avanzare, dove necessario, nuove proposte di lettura. Esso consta di due parti, delle quali la prima contiene l’Introduzione, la seconda il Testo con note a piè di pagina, in cui si discutono questioni relative alla constitutio textus, l’Apparato e l’Apparato complementare. Nell’Introduzione si danno informazioni essenziali circa la tradizione manoscritta delle Lamentacions (altrimenti note come Lo…
The fifteenth-century Catalan translation of the French "Danse macabre": A critical edition and English translation, from manuscript Miscel·lània 26,…
2015
The present article focuses on ff. cxlr-cviiir of the manuscript Miscel?lània 26, Arxiu de la Corona d’Aragó, Barcelona, which contain the only extant version of the fifteenth-century Catalan translation of the French Danse macabre. The article contains a philological study of this section of the manuscript, with particular attention to the relationship between the Catalan version of the Danse macabre and its French sources: this study serves as an introduction to a new critical edition of the Catalan translation proposed in the second part of the article. The critical text consists of a parallel edition of the Catalan version and manuscript lat. 14904, Bibliothèque nationale de France, Par…
Livelli di rappresentazione del testo nell’edizione del De nomine di Orso Beneventano
2018
Viene presentato l’impianto metodologico e tecnologico dell’edizione critica digitale del De nominedi Orso Beneventano (http://www.unipa.it/paolo.monella/ursus), una proof of concept delle innovazioni metodologiche proposte da Tito Orlandi. Il modello qui sperimentato intende superare la dicotomia tra edizione diplomatica e critica grazie ad un ripensamento profondo, semioticamente fondato, dei livelli di trascrizione e di edizione di un testo. I livelli scelti per questa edizione sono: (1) Livello grafematico, le cui unità minime sono i grafemi, inclusi i segni paragrafematici e le brachilogie sistematiche. Tutti i grafemi individuati dall’editore sono elencati nella Graphemic Table of Sig…
A sustainable work flow for a multi-layer edition of the Chronicon by Romualdus Salernitanus
2018
My experimental scholarly digital edition of the De nomine by Ursus Beneventanus tested the feasibility of the edition model theorized by Orlandi 2010, based on three different layers of text representation (graphematic, alphabetic and linguistic) and on a table of all graphemes having distinctive value in the graphic system of a specific manuscript (“graphematic table of signs”). Its work flow, however, proved to be very time-consuming. This talk analyzes the specific practices of the Ursus edition that mostly slowed down the work flow and outlines possible solutions to be applied in my ongoing digital edition of the Chronicon by Romualdus Salernitanus. Those aspects include (a) the markup…
Faltoniae Betitiae Probae Cento Vergilianus
2015
The volume contains the first systematic investigation of Proba's manuscript tradition; all mss. survivors are listed and classified for the first time. Furthermore, the text is critically edited. The purpose of the publication is to provide the new reference edition of Proba's Cento Vergilianus.
Ad Columellam
2014
Extending the DSE. LOD support and TEI/IIIF integration in EVT
2020
Current digital scholarly editions (DSEs) have the opportunity of evolving to dynamic objects interacting with other Internet-based resources thanks to open frameworks such as IIIF and LOD. This paper showcases and discusses two new functionalities of EVT (Edition Visualization Technology), version 2: one improving the management of named entities (f.i. personal names) through the use of LOD resources such as FOAF and DBpedia; the other, providing integration of the published text with digital images of the textual primary sources accessed from online repositories (e.g. e-codices or digital libraries such as the Vaticana or the Ambrosiana) via the IIIF protocol.
L'edizione critica digitale. La critica del testo nella storia della tradizione
2019
The traditional output of philological work aiming at the constitutio textus is the print critical edition with apparatus footnotes showing select variant readings. The digital scholarly edition, instead, is not constrained by the space limits of the printed page, so it can encode and visualize synoptically many versions of a text, as found in different textual witnesses. This opportunity has often been exploited by New Philology editions, in which textual versions are juxtaposed without any attempt to reconstruct an "original" text. However, the digital critical edition can constitute a "third way" between constitutio textus and New Philology: the digital editor can provide different versi…